There's this shot in the end, a lot like other shots in the film, of a close up of Ryan Gosling's face, stoid and unblinking. You wonder, is he dead? But there's no way to tell, because he's been the same way the whole ride.
This is a good example of style over substance, and I don't begrudge liking style so much that it makes up for the substance. But said substance in this was laughable and so lazy,…